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2012 unmarried by Taylor Swift

"We Are Never E'er Getting Back Together"
A photograph of Swift wearing sunglasses, a white shirt and black shorts sitting on a grassland. Her name "Taylor Swift" is printed in white and the title "We Are Never Ever Getting Back Together" is printed in red, both are capitalized.
Unmarried by Taylor Swift
from the album Red
Released August 13, 2012 (2012-08-13)
Studio
  • Conway (Los Angeles)
  • MXM (Stockholm)
Genre
  • Trip the light fantastic-pop
  • pop stone
  • bubblegum popular
  • electropop
  • electro-folk
Length three:12
Label Big Automobile
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Max Martin
  • Shellback
  • Taylor Swift[1]
Taylor Swift singles chronology
"Both of Us"
(2012) 		"We Are Never Ever Getting Back Together"
(2012) 		"Ronan"
(2012)
Music video
"We Are Never Ever Getting Back Together" on YouTube

"We Are Never Ever Getting Back Together" is a vocal by American singer-songwriter Taylor Swift, taken from her fourth studio album, Red (2012). It was released for digital download and to U.S. pop radio as the lead single from Red on Baronial 13, 2012, by Big Machine Records. Swift wrote and produced the song with Max Martin and Shellback. An upbeat dance-popular and pop stone vocal, "Nosotros Are Never Ever Getting Back Together" contains pulsing synthesizers, candy guitar riffs, bass drums, and a spoken-discussion bridge. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to U.S. state radio on August 21, 2012.

Music critics praised the track for its catchy melody and radio-friendly sound, though some described its lyrics every bit subpar for Swift's songwriting abilities. The song appeared in year-end lists by Rolling Stone, Time, and The Hamlet Voice. "Nosotros Are Never Ever Getting Back Together" peaked atop the charts in Canada and New Zealand, and reached the top 5 in Australia, Republic of ireland, Israel, Japan, and the U.K. On the U.Due south. Billboard Hot 100, the single debuted at number 72 and rose to number one the following week, registering one of the biggest unmarried-week jumps in chart history. The single spent a record-breaking nine consecutive weeks topping the Hot Country Songs nautical chart, and received multi-platinum certifications in Australia, Japan, New Zealand, and the U.S.

The music video for the song was released on August 30, 2012. The accolades that "We Are Never Ever Getting Back Together" received include a Billboard Music Award for Top Land Song, a Grammy Award nomination for Tape of the Year, a CMT Music Honour nomination for All-time Music Video, and a People'due south Selection Laurels nomination for Favorite Vocal. Swift included the song on the set lists of three of her earth tours: the Red Tour (2013–14), the 1989 World Tour (2015), and Reputation Stadium Bout (2018). A re-recorded version of the song is featured on Scarlet (Taylor'due south Version), Swift's 2021 re-recording of her 2012 album.

Background and release [edit]

After writing Speak At present (2010) entirely solo, Swift opted to collaborate with different songwriters and producers for Ruddy. Thus, she called Max Martin and Shellback, 2 songwriters and producers whose piece of work she admired, to hash out a possible collaboration. The trio conceived the concept for "We Are Never Ever Getting Back Together" shortly after a friend of Swift'due south ex-boyfriend walked into the recording studio and spoke of rumors he heard that Swift and her erstwhile flame were reuniting. Subsequently the friend left, Martin and Shellback asked Swift to elaborate on the details of the relationship, which she described as "break up, get back together, break upward, get back together, simply, ugh, the worst". When Martin suggested that they write about the incident, Swift began playing the guitar and singing, "We are never ever......", and the vocal flowed rapidly afterwards. She described the process as one of the about humorous experiences she had while recording, and said the musical partners matched her expectations. An audio prune of her sarcastically speaking about breakups can be heard before the concluding chorus.[2]

The single was the lead unmarried from Scarlet.[3] Swift premiered the unmarried on August xiii, 2012, during a alive chat on Google+[iv] with the song released on Google Play that 24-hour interval[v] for digital download and to iTunes and Amazon.com the next day, Baronial xiv.[vi] [vii] A lyric video too premiered on Swift's official Vevo that same day.[8] The song was released to Adult Gimmicky radio stations on August thirteen, 2012[9] and to mainstream radio stations the next day.[10] The vocal was released to country radio on August 21, 2012.[xi] The music video for the song premiered on August 30, 2012.[12] A limited edition individually numbered CD single was released to Swift'south official store and Amazon.com on September 4, 2012. The limited edition CD single was packaged with a "We Are Never Always Getting Back Together" T-shirt and haversack.[13] The CD single was also available for individual purchase.[fourteen] The CD single was released exclusively to US Walmart stores the same twenty-four hours.[15]

Composition and lyrics [edit]

The 3-infinitesimal-and-twelve-second song[5] features electronic heavy production accompanied to audio-visual guitars, a banjo, and a pop music vocal styling, a musical transition for Swift.[16] It was written in the key of 1000 Major with a common time signature and a tedious tempo of lxxx-six beats per infinitesimal, with Swift'due south vocals spanning one octave and 5 notes, from G3 to E5.[17] The rail features an acoustic guitar (some of its sounds are reversed) and diverse synthesizers over an electronic drum trounce. The state radio release featured a different instrumental organization. The alternate mix replaced the guitar, drum machine, and synthesizers with a mandolin, dabble, steel guitar and snare drums.[18] The song was written by Swift, forth with Martin and Shellback.[18] [19] The lyrics talk over Swift's frustration towards a erstwhile male person lover who wants to rekindle their relationship. Jonathan Keefe of Camber Magazine describes information technology every bit a bubblegum pop number[twenty] [21] while AllMusic categorized the song under the dance-pop genre.[22] James Lancho, reviewing the album Red called the song "sassy popular-rock in the mould of Katy Perry",[23] and Marc Hogan of Spin deemed the single "saucy electro-popular".[24] The New York Times dubbed information technology a "snarky electro-folk tune".[25]

Disquisitional reception [edit]

Professional ratings
Review scores
Source Rating
Billboard 4.v/5[26]
Common Sense Media [27]
Digital Spy [28]
Rolling Stone [29]

Upon initial release, the song received positive reviews from music critics. Robert Myers of The Village Vocalisation felt that the song, while "good", was "non Swift at her all-time" and speculated that the decision to release it as a lead single was fabricated for commercial reasons: "I doubt 'Never E'er' is even shut to being the all-time song on Red; information technology'due south a teaser, an indication to her fans of what's coming up. That sounds like commercial adding of the worst kind, but I don't think it is. Swift's connexion with her audience is possibly more than of import than her connection with her boyfriends. And there is 1 brilliant touch on: the spoken bit that comes after the middle eight."[30] Grady Smith of Entertainment Weekly drew comparisons with Avril Lavigne and praised the "undeniable, instantly catchy hook".[xviii] While describing the vocal as "joyous", he notwithstanding expressed business organization that the song's "juvenile sensibilities" marked a regression post-obit Swift'due south work on Speak At present.[xviii] Jody Rosen of Rolling Stone noted that the song'southward "hooks, plural, take a zing that's more than Stockholm than Nashville. Just it's unmistakably Taylor: a witty relationship postmortem, delivered in inimitable girlie-daughter patois. And this bit – "I'm just, I mean, this is exhausting. Similar, we are never getting back together. Similar, ever" – might be the most sublime spoken-discussion interlude in pop since Barry White died."[29]

Marah Eakin of The A.V. Society commented on "what a good song it is": "With its thumping kick pulsate, clipped syncopation, and mildly snarky lyrics, information technology'due south a teen dream in the vein of Swift's other sing-along jams like "Love Story" or "You Vest with Me."[31] Kevin Coyne of Country Universe gave the song a failing D grade, calling it a "huge footstep astern".[32] James Montgomery of MTV felt the "fantastic" song may "correspond a turning point in her career ... Swift no longer has whatsoever interest in being the victim ... [She] displays a defiant, liberated streak". He noted that the song seemed "custom-crafted to boss radio ... all shiny, argent guitars and walloping, whomping choruses".[33] Amy Sciarretto of Popcrush praised Swift for capturing a "universal feeling in an upbeat, empowering song" and described it as "one of the catchiest tunes she's ever penned".[34] Jonathan Keefe of Slant Magazine described "the melodic hook" as the song's all-time attribute but criticized Swift'south "stilted phrasing". He described her song performance as a "complete misfire", pointing out that her voice was at its "near unpleasant and nasal". However, Keefe warned that information technology was "premature" to say the "full-on popular" song "signals annihilation more a temporary breakup".[20] David Malitz of The Washington Postal service found the song immature and remarked, "the chorus is catchy but if this is representative of what awaits on Red, it's difficult to exist too excited".[35] Glenn Gamboa of Newsday described it as "anthemic in a slick pop mode, rather than her usual mod country fashion ... Part of T. Swizzle's amuse is the fashion she makes her songs sound genuine and conversational and 'Never Ever' is no exception".[36] Billy Dukes of Taste of Country stated that "[Swift] captures the anger of young love gone wrong ameliorate than anyone since, well…[Taylor] Swift" and that the vocal's tune is "hard to cover chop-chop."[37] Nevertheless, Camille Mann of CBS News considered the song to be "catchy".[38]

"Nosotros Are Never Always Getting Back Together" featured on 2012 year-cease lists by Rolling Stone (second),[39] Fourth dimension (fourth),[40] The Guardian (5th),[41] The Village Vox 's Pazz & Jop critics' poll (sixth),[42] PopMatters (11th),[43] NME (24th),[44] and Consequence (40th).[45] The unmarried was named the 169th all-time song of 2010–2014 on Pitchfork's "The 200 All-time Tracks of the Decade Then Far (2010-2014)" listing.[46] It likewise received a Grammy nomination for Record of the Year for the 2013 Grammy Awards.[47] In 2019, Stereogum ranked the song as the 71st best vocal of the 2010s.[48] Rolling Rock ranked the song as the thirteenth-best female person state song of the 2000s and 2010s.[49] The Tampa Bay Times ranked it 4th on their listing of the best 2010s pop songs.[50]

Accolades [edit]

Year Organization Honour/piece of work Event Ref
2012 Guinness World Records Fastest Selling Single in Digital History Won [51]
2013 Academy of Country Music Awards Best Music Video Nominated [52]
Billboard Music Awards Top Streaming Song (Video) Nominated [53]
Peak State Song Won
BMI Awards Honour-Winning Songs Won [54]
CMT Music Awards Video of the Year Nominated [55]
Grammy Awards Record of the Year Nominated [56]
MTV Video Music Awards Japan Best Female Video Nominated [57]
Best Pop Video Nominated
Best Karaoke Video Nominated
Much Music Video Awards International Video of the Year Nominated [58]
Myx Music Award Favourite International Video Nominated [59]
Nickelodeon Kids' Choice Awards Favourite Vocal Nominated [60]
Argentina Nickelodeon Kids' Choice Awards Favorite International Song Nominated [61]
People'south Option Awards Favourite Song Nominated [62]
Radio Disney Music Awards Best Break Upwardly Song Won [63]
[64]
Sirius XM Holdings Awards International Video of the Twelvemonth Nominated [65]
International Unmarried of the Year Nominated
Teen Choice Awards Pick Pause-Up Song Nominated [66]
Choice Country Vocal Won
MTV Millennial Awards Hit Chicle del Año (Catchiest Hit of the Year) Won [67]
Hito Music Awards All-time Western Song Won [68]
2014 World Music Awards World'south Best Song Won [69]
Globe's Best Video Nominated
ASCAP Awards Most Performed Vocal Won [70]
BMI Pop Awards Award-Winning Song Won [71]

Commercial functioning [edit]

In the U.South., "Nosotros Are Never Ever Getting Back Together" debuted at number 72 on the Billboard Hot 100 nautical chart week catastrophe August 25, 2012, based on two days of airplay.[72] It rose to number i the following week, registering one of the biggest unmarried-week jumps in nautical chart history.[73] Giving Swift her first Hot 100 number one, information technology made Swift the state artist with the virtually top-x nautical chart entries (11, tying with Kenny Rogers).[74] It spent two consecutive weeks at number i[75] and was the get-go country song to spend three or more weeks at number i subsequently Kenny Rogers's "Lady" (1980).[76] The single stayed in the top 10 for xiii non-sequent weeks.[77] On the Radio Songs chart, "We Are Never Ever Getting Back Together" entered at number 25, the highest debut for a vocal by a female person country artist.[78] Information technology peaked at number three for three non-consecutive weeks, giving Swift her fourth top-x entry.[79] On the Hot Digital Songs chart, "We Are Never Ever Getting Back Together" debuted at number one with first-week sales of 623,000 digital copies in the week ending September 1, 2012, setting a record for the fastest-selling digital single by a female person creative person in Billboard chart history.[note 1]

A black-and-white portrait of Connie Smith in 1960s hairstyle looking upwards

The single debuted at number xiii on the Hot Land Songs chart week ending September one, 2012, based on airplay alone.[82] Afterward Billboard inverse the methodology for the chart, incorporating digital sales and streaming into chart rankings in addition to airplay, "We Are Never Always Getting Back Together" ascended to number one for the chart dated Oct 20, 2012, giving Swift her seventh Hot State Songs number i.[83] This prompted manufacture debate over the condition of Swift as a country artist, given that "Nosotros Are Never Ever Getting Back Together" received lukewarm reception at country radio and never reached the top x of the Country Airplay nautical chart, and was more favorably received at pop radio.[84] It remained on the height spot of the Hot Country Songs for nine sequent weeks, breaking the eight consecutive weeks tape of Connie Smith's "In one case a Day" (1965) for the longest unbroken run at number one for a female artist.[85] The vocal spent a full of 10 weeks at number one,[86] a career best for Swift and a record for the longest-run at number one for a female artist.[notation 2]

"We Are Never Ever Getting Back Together" peaked within the top ten of Billboard airplay charts including Adult Gimmicky, where information technology reached number ten for vii not-consecutive weeks,[89] Developed Tiptop 40, where it reached number 7,[90] and Mainstream Acme twoscore, where it peaked at number ii for four non-consecutive weeks.[91] Roughly two months later on its release, the single surpassed two one thousand thousand U.Southward. digital sales by September 2012, making Swift the outset land artist two have half-dozen digital singles each sell over two million copies.[92] By July 2019, "We Are Never Ever Getting Back Together" had sold 4.1 million copies in the U.S.[93] The Recording Manufacture Clan of America (RIAA) certified the single six times platinum, denoting six million units based on sales and streaming.[94] In neighboring Canada, the unmarried peaked atop the Canadian Hot 100, Swift's second number i post-obit "Today Was a Fairytale" (2010).[95] It was certified gold by Music Canada (MC).[96]

Outside Northward America, "We Are Never E'er Getting Dorsum Together" peaked atop the record chart in New Zealand, where it was certified double platinum past Recorded Music NZ (RMNZ).[97] The single peaked within the top ten on charts in Israel (number two),[98] Australia (number three),[99] Ireland (number four),[100] the U.Thousand. (number four),[101] Norway (number six),[102] Hungary (number nine),[103] and Spain (number nine).[104] It peaked at number viii on Euro Digital Vocal Sales, a Billboard chart monitoring digital singles across Europe.[105] The track was certified platinum in Sweden and the U.M.,[106] [107] and five times platinum in Commonwealth of australia.[108] Past Oct 2014, the single had sold over 616,000 digital copies in the U.K.[109] In Japan, "We Are Never E'er Getting Back Together" was a chart success, peaking at number 2 on the Japan Hot 100 and remained on the chart until 2015, three years afterwards its release.[110] The Recording Industry Association of Nippon (RIAJ) awarded the single a "One thousand thousand" certification for selling over 1 million digital copies.[111]

Music video [edit]

Background and release [edit]

A music video for the song premiered on CMT, MTV and TeenNick on Baronial 30, 2012, at 7:49 pm Eastern time, and afterwards on MTV.com, CMT.com, and VH1.com the same day at viii:00 pm Eastern fourth dimension. The video is directed by Declan Whitebloom, with whom Swift has worked on the music videos for both "Hateful" and "Ours".[12] The video was shot similar a pop-up book using a Sony F65 CineAlta photographic camera with Leica 25 mm Summilux-C lens in one continuous shot with no editing, and features five sets and Swift in as many outfits.[112] It is also the kickoff music video to be featured in 4K resolution.[113] Co-ordinate to Swift, she wanted the video to be as "quirky equally the song sounds" and stated that "There's just knitting everywhere; in that location'south merely random woodland creatures popping up."[38] Prior to the video's release, a fourteen-second preview was released past CMT on their official YouTube on August 30, 2012.[114] As of September 2021, it has over 674 million views on YouTube.[115]

Synopsis [edit]

The video, which is done as one continuous shot,[116] begins with Swift in colorful pajamas recounting the events of her off and on again relationship with her ex-boyfriend (played by Noah Mills). The video then segues into Swift going into her living room where her band is dressed up in animal costumes and Swift belts out the chorus of the vocal. The video and then goes to a Television receiver where Swift says "Like, ever." and then to the dining room where nosotros encounter she returns to recounting the events of her relationship and receives a phone call from her ex who is calling her from a nightclub. Swift hangs upwards on him and he walks off screen into the nightclub. It then goes to the ii in a truck having an argument then to them having a stroll in the park. Swift then runs off and nosotros see her on the phone telling the person on the other line how she and her ex are non getting back together and her frustration of their unabridged relationship. The video then segues dorsum to Swift's living room where a party is going on and her ex shows upwardly unannounced trying to woo her dorsum and she slams the door in his face. The video ends with Swift on her window ledge where she was at the offset of the video, singing the terminal line of the song.[117]

Reception [edit]

James Montgomery of MTV praised the video stating that the video is "truly a treat to sentry".[118] Jim Farber of the New York Daily News comment on the video was that "[Swift'south] tone and demeanor in the prune is conversational and sarcastic, ideally suited to simulating intimacy with her massive teen girl fan-base."[119] Carl Williott of Idolator commented on the video's content and stated "what more could you inquire for in a visual for a #ane pop smash?"[120] Rolling Stone chosen it "flinging strong-willed sass".[121] David Greenwald of Billboard stated that the video "is a quirky celebration that finds Swift singing and dancing with ring members in beast costumes in betwixt human relationship flashbacks -- all filmed in an elaborate long shot. Swift wears large glasses and a pair of printed pajamas every bit she shrugs off her not-and so-nice ex-boyfriend, a scruffy, seemingly older musician-type with a penchant for drama."[122]

Live performances [edit]

Swift performing "Nosotros Are Never Ever Getting Back Together" on the Red Tour in 2013

Swift performed the song live for the start fourth dimension at the 2012 MTV Video Music Awards on September vi, 2012, which was held at the Staples Centre in Los Angeles.[12] [123] Swift was the last performance of the night and, wearing a red and white striped shirt and blackness shorts, began her performance in an expanse resembling a recording studio before taking the stage forth with her back-up singers, dancers and band (in animal costumes) took the stage.[124] Swift also performed the song live at the iHeartRadio Music Festival in 2012 and 2014. During her visit to Brazil, she performed the song on Tv Xuxa and during a concert in Rio de Janeiro on September thirteen, 2012.[125] [126]

Swift performed the song on the British version of The X Factor on Oct 14, 2012.[127] She performed the vocal on the German TV bear witness Schlag Den Raab.[128] On January 25, 2013, Swift performed "Nosotros Are Never Ever Getting Back Together" at the Los Premios 40 Principales in Spain.[129] The next twenty-four hours, she performed it in Cannes, France, during the NRJ Music Awards.[130] On February 10, 2013, Swift performed the song at the 2013 Grammy Awards, opening the ceremony. She performs the song on her Red Bout nightly every bit the finale. A rock version of the song was performed on The 1989 Earth Bout. More recently, the song was performed as a mashup with "This Is Why Nosotros Can't Have Squeamish Things" equally the finale on Swift's Reputation Stadium Tour. Swift performed the vocal on the iHeartRadio Wango Tango on June 1, 2019. On December 8, she performed an acoustic version of the song at Capital FM's Jingle Bong Ball 2019 in London.[131]

Parodies [edit]

The song and video were parodied by teddiefilms in the fashion of Breaking Bad. The parody, called "We Are Never Ever Gonna Cook Together," was uploaded to YouTube on October xviii, 2012.[132] The 22nd episode of Gray's Anatomy 'due south tenth flavor is titled "We Are Never Ever Getting Back Together".[133] On September 8, 2012, YouTube star Shane Dawson, parodied the song, releasing a studio version[134] and a music video on his YouTube channel.[135] Sky News remixed portions of speeches by David Cameron to make it appear as though he was reciting the chorus as promotion for their coverage of the 2014 Scotland Independence Referendum.[136]

Credits and personnel [edit]

Credits are adapted from the liner notes of the CD single.[137]

  • Taylor Swift – lead vocals, writer, producer, bankroll vocals
  • Max Martin – producer, author, keyboards
  • Shellback – producer, author, guitar, bass, keyboards, programming
  • Tom Coyne – mastering
  • Eric Eylands – banana recording
  • Serban Ghenea – mixing
  • John Hanes – engineer
  • Sam Holland – recording
  • Michael Ilbert – recording
  • Tim Roberts – assistant engineer

Charts [edit]

Certifications and sales [edit]

Release history [edit]

"Nosotros Are Never Always Getting Back Together (Taylor'south Version)" [edit]

"Nosotros Are Never Ever Getting Back Together (Taylor'south Version)"
Song by Taylor Swift
from the anthology Red (Taylor's Version)
Released November 12, 2021 (2021-eleven-12)
Genre
  • Dance-pop
  • pop stone
  • bubblegum pop
  • electropop
  • electro-folk
Length 3:13
Label Republic
Songwriter(s)
  • Taylor Swift
  • Max Martin
  • Shellback
Producer(s)
  • Christopher Rowe
  • Taylor Swift
  • Shellback
Lyric video
"We Are Never Ever Getting Dorsum Together (Taylor's Version)" on YouTube

Swift re-recorded "We Are Never Ever Getting Back Together", subtitled "(Taylor's Version)", for her second re-recorded anthology, Red (Taylor'south Version), released on November 12, 2021, through Commonwealth Records.[200]

Charts [edit]

See also [edit]

  • List of Billboard Hot 100 number-one singles of 2012
  • Listing of Billboard number-one state songs of 2012
  • List of number-one digital songs of 2012 (U.S.)
  • List of Canadian Hot 100 number-one singles of 2012
  • Listing of number-ane singles from the 2010s (New Zealand)

Footnotes [edit]

  1. ^ The record was cleaved by Adele'due south 2015 unmarried "Hello" (2015), which sold over one.ane million digital copies in its first week.[fourscore] [81]
  2. ^ The record was cleaved by Bebe Rexha'southward "Meant to Be" (2017) featuring Florida Georgia Line, which spent 35 sequent weeks at number i.[87] [88]

References [edit]

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You Will Never Be One Again

Source: https://en.wikipedia.org/wiki/We_Are_Never_Ever_Getting_Back_Together

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